Work

Illustration & Photoshop

Composite work, campaign design, and vector illustration, built in Photoshop and Illustrator, with an eye on how each piece reads before it's read.

The card's back, with a scannable QR code linking to the organizer's Instagram.
Print Design

Prof Victini's Business Card

  • Illustrator
  • Canva

Layout and print design for Prof Victini, a local Pokemon League organizer. The character portrait came from elsewhere; the composition, color, and QR-code back are the design work shown here.

The current SharkByte Design wordmark used across this site. The animated SharkByte shark mascot.
Brand Identity

SharkByte Design

  • Prototyping
  • Illustrator

The identity and site design in front of you right now. The wordmark simplified down from an earlier icon-plus-lettering version, the same color palette carried through from the first color spec to the current build.

Magazine cover composite for Coast Guard Day, layering a modern cadet over a historic honour guard.
Photo Composite

The Then & The Now

  • Photoshop

An attempt at replicating a Smithsonian magazine cover for Coast Guard Day, built entirely from original photography rather than stock or found images.

Astrobro: a helmeted figure in a red flight suit raising a gloved hand, backlit by a purple and blue nebula.
Profile Icon

Astrobro

  • Illustrator

A curated profile icon built around Team Fortress 2's Pyro, reworked into an original color and lighting treatment for use as a personal avatar.

Gojira poster: the kaiju in silhouette firing a pale atomic beam across a black field, dorsal fins glowing magenta.
Poster

Gojira ゴジラ

  • Fresco

Nearly all negative space. The figure is pushed hard to the left edge and the atomic beam does the rest, cutting the frame diagonally so the black carries the weight.

Vector icon of Tom Nook beside a star-marked bell bag on a green gradient. Vector icon set of mask designs. Vector portrait icon.
Vector Icons

App Icons

  • Illustrator

A school project reducing familiar game and pop-culture subjects to flat vector shapes, an exercise in how much detail can be dropped before recognition goes with it.

Save Agua campaign: two framed illustrations of the Colorado River, full in 2022 and dry in 2042.
Ad Campaign

Save Agua

  • Illustrator

A binational ad campaign concept for water conservation across Mexico and the US. The Colorado River hangs as a pair of gallery frames, 2022 beside a projected 2042, so the argument is made by the gap between them rather than by copy.